Tag Archives: Movies

The People vs. Midichlorians

I recently watched the documentary film, THE PEOPLE VS. GEORGE LUCAS, that takes a look at the Star Wars universe that George Lucas has altered, tweaked, and even changed over the years from the fan perspective.  For the fans, myself included, there was some good, more bad than we’d like, and (with the prequel trilogy) a whole lot of ugly.

From week titles (‘Attack of the Clones???), to the casting of the pivtol character of Anakin Skywalker (“Yippee!”), to that other silly character that will remain nameless in the post because “heesa” was close to being the worst part of the entire trilogy, there’s on thing fans rail against that, in my opinion, gets a worse wrap that it deserves.

And – as the title of this posts suggests – that would be midichlorians.  Qui-Gon Jinn described them as microscopic organisms that exist in the cells of all living things and we communicate with The Force through them.  Without them, there would be “no knowledge of the living force.”

For the majority of fans, this was an outrage!  One forum post I’ve read says this changes Star Wars from “Science-Fantasy to Sci-Fiction”.  I think Space Fantasy would have been the correct genre to mention there, but lets not split hairs about that in this post.  The point is, the majority of fans felt like a biological explanation for force sensitivity takes the mysticism out of The Force in the Star Wars universe, and they would be correct…

…had it been added to the original trilogy (more on this later).

However, the universe in the prequel trilogy was very, very different from that depicted in episodes IV, V, and VI.  Back then, there were almost no force users left and there hadn’t been for nearly twenty years or so.  No one was left to educate anyone else about the force.  Emperor Palpatine and Darth Vader weren’t going to do it.  Yoda was a bazillion miles away and Obi-Wan was a dusty old fart that probably spent more time practicing that big lie he was going to tell Luke to get him to do he and Yoda’s dirty work after they’re failure two decades prior.

Back then, the force was mystical and to add the midichlorian explanation in to that place in the time line would have probably broke the franchise.

No let’s set the way back machine some years or so Star Wars years.  There was no empire.  As far as anyone was concerned the Sith had disappeared a thousand years prior.  The Republic was the ruling body of the galaxy. and there were so many Jedi, they amounted to a dime a dozen.

The Jedi order was at its peak.  Did you see that Jedi temple on Coruscant?  It sure all seemed very scientific and very technological.  But they still followed the same “mystical” principles of the light side of the force with their actions and discipline.  But what we discovered was it was more than that.  The Jedi were meticulous records keepers almost to the point of believing that if something did not appear i their archives, it did not exist.  But when they discovered a force sensitive being and needed to decide if they should be brought into the order, they tested their midichlorian count.  Higher count, indicates greater sensitivity to the force and more potential power.  I promise you those numbers were documented in each Jedi’s file AND those they had found, but decided NOT to bring into the order because of the potential of turning to the dark side.  A biological explanation for the strength of the force in someone makes sense.

The force was less mystical during the prequel trilogy because everyone knew about it, in my opinion.  And given what we saw in the Jedi order, during those movies, embracing the scientific side of the force wasn’t that much of a stretch, in my opinion.

And here’s something else you midichlorian detractors need to consider.  George Lucas came up with midichlorians when he created the original trilogy.  Yeah…they’ve been there all along.  You ca read about it on Wookiepedia HERE.  Scroll down to the behind the scenes section.

I’m in the minority, but I like it.  As someone that reads hard science fiction, this concept is right up my alley.  It makes a hell of a lot more sense then trying to convince us of the absolutely ludicrous notion that Anakin Skywalker built C-3PO.  That ranks up with “Han shot first” with me.  Interesting side-note to that one.  I oddly don’t hear too many fans complaining about it.  THAT makes no sense.

Till next time…

 

The Disappointment of: The Red October

“The Disappointment of:”  is a series of blog posts that address plot elements in stories that the characters perceive to be something that should be feared or regard as completely badass that end up not living up to the hype the characters give it for the audience.  Remember, the disappoint is based on the failed expectation created by the CHARACTERS for the audience.

Today’s disappointment:  The Red October (Movie version, 1990).

I’ll preface this by first saying that I’ve never served in the Navy and what I know about Submarine warfare comes from reading about it, watching documentaries, and talking with people that have served on subs.  If there is a movie that best demonstrates the brutal, psychological nature of submarine life and warfare, in my opinion, it would be DAS BOOT, directed by Wolfgang Peterson.  It shows the absolute necessity of stealth for attack and survival.

‘Run Silent, Run Deep’, as they say.

Now, let’s take the psychological fear of an attack you can’t see coming until its too late, and throw in the psychological fears of a cold war nuclear weapons strike from right off the coast line of whatever you live in, with no warning and no time to prepare.

That is fear that Jack Ryan and the other characters dealt with when spies smuggled out pictures of the new Russian Typhoon-Class Ballistic Missile Submarine, The Red October.  The pictures indicated some features that they could not identify which fueled their fears even more.

When Jack showed the pictures to Skip Tyler, who was able to identify the mystery doors on the Red October, as possibly being part of a super-silent propulsion system, known as a caterpillar drive, that fear factor went through the roof.  OH MY GOD!  That sub could just putt-putt right passed the sonar warning nets, in the Atlantic, launch a couple of hundred nuclear warheads on the east coast and “no one would no anything about it until it was all over”.

Ah hell, with a threat like this, what would be the sensible thing for the government to do?

Have a briefing.

Oh, by the way, Jack,  you’re giving the briefing to the Joint Chiefs of Staff and all of the other crusty old men that show up.

So how could things get any worse?  There is new weapon that we know very little about, but are pretty sure no one, ANYWHERE, will be able to find it because its super-duper quiet.  And now dozens of other Russian ships are flooding out into the Atlantic and heading OUR way!!!  Oh the humanity!

But wait, there’s more…

One of the crusty old men says he’s heard, through the grapevine, that the Captain of the Red October sent a letter to an Admiral and within minutes, that Admiral is telling his boys to go sink that shiny new, multi-billion dollar piece of soviet state property.

“Sink her?”  Says National Security Adviser, Jeffrey Pelt, right before he excuses himself to clean up after soiling himself (I’ve speculating on that.  I expect that was edited out in post-production).

What does it mean?  Wait…a rogue missile submarine?  Jumpin’ Jesus on a pogo stick!  He’s going to blow us all up!  And there is NO WAY to find locate this submarine!  What do we do?

“Definitely grab the boat, Sir,”  says Jack, eagerly.

“Oh ok,” Pelt says.  “Let me just put you on a plan, undercover (so to speak), and fly you out to a random carrier battle group so you can single-handedly find the submarine that, by all accounts, is UNDETECTABLE.  If only there was someone, somewhere…maybe a sonar operator…that had keen enough skills to bag that sucker on sonar and. by extension, completely negate the effectiveness of the so-called caterpillar drive forever and always because once you figure out what it sounds like…and get a recording of it to share with everyone…its no longer a stealth weapon.  Its just another missile submarine.

BAH!  That’s just crazy talk, right?  Surely russian engineers didn’t make it THAT easy to beat their design right?

Meanwhile, on the U.S.S. Dallas…

Captain Bart Mancuso:  “What you got, Jonsey?”

Seaman Jones”Captain, hey, you know that super quiet submarine everyone’s looking for?  In spite of all the noise of a hundred russian ships flooding the water with active sonar, I found it.  It’s right here…and its heading here.  Oh and check it out, I got it on tape to store in the computer.”

Captain Mancuso:  :  “Great.  We’ll use the $40 million dollar computer, that tells us these things, as our new anchor.”

I paraphrased (a lot), but basically in that moment, as soon as Jonsey figured out what the Red October sounded like, that sub was no longer special.  Just another big steel underwater trap.  From that point on, EVERYONE knew where it was and they had a big confab at the Laurentian Abyss during for the movie’s climax,

I know I’m talking about the movie (in the book, it wasn’t quite so cut and dry), to illustrate how unscary and utterly useless the Red October became, I think two books or so later (in the Jack Ryan Series) Tom Clancy wrote the scene where the stripped hulk of what was left of the Red October was scuttled in the ocean and no where (that I can remember) is the caterpillar drive mentioned again or its technology applied to any U.S. Warship (again, that I am aware of).

And that’s it.  The Red October is gone, never to be feared again.

Agree or disagree?  Is there a similar plot element that was similarly disappointing that you’d like me to review?

As always, comments are welcomed.

Till Next time…

C.L.U. Was Clueless

The Tron Legacy score, by Daft Punk, is in regular rotation in my writing music playlist.  By far, it’s the best part of that movie.  I wanted to like that movie.  I really did…and I still do.  But the story suffers from huge plot holes, inconsistencies, and too many things that defy logic.

Which is ironic considering C.L.U. was meant to build the perfect system.

It’s C.L.U.’s ENTIRE plan and execution of that plan that just defies that logic.  Now, let me state, for the record, that it has been a long time since I watched the movie.  so it’s possible I might not recall some of the finer details correctly, but this high level review of C.L.U.’s idiocy ought to be accurate.  And that idiocy starts at the very beginning…

(Sigh)  The premise of his plan is brilliant:  He sends signal to Alan Bradley’s pager, trying to lure him into the system so the portal would be open and he could get out.  But we don’t get this until a little later.  The problem is, C.L.U. seems to forget he has a plan in motion!

He’s EXPECTING Alan Bradley – or someone – to come into the system.  I get the impression there is ONE way into the system: the replica of Flynn’s arcade.  Question:  Why is there NO ONE there waiting for whoever comes in?  C.L.U. would want that person caught and brought to him AS SOON AS THEY SET FOOT ON THE GRID because of the limited amount of time the portal stays open.

But there is no one there.

One might argue that Sam IS caught very soon after coming into the system, but that was part of a routine sweep for programs to be brought either to the Gaming Grid or to be put in C.L.U’s army.

So Sam gets taken to the Gaming Grid and forced into Disc Wars.  No knows a user is on the grid.  Not C.L.U, not anyone.  The Sirens know he’s different when they are prepping him for the games, but they don’t alert any one.

So Sam is in the games.  Sam somehow manages to beat an opponent, even though he’s never through an identity disc in his life and has only been on the Grid for perhaps an hour, may be two.  All of this is going and for a bit, no one knows a user is there.  But there’s something else no one notices.

No one, not one of the thousands of programs in the arena…or ANYWHERE ELSE, for that matter…notices the PORTAL is open!.  It’s right there, on the horizon, like a very bright, shimmering star.  AND (as we find out later) it was designed that way, to be a reminder that Kevin Flynn was around or something like that.  I think it was Quorra that said something like that to Sam.  The point is, no one noticed and I would think that would have been a pretty big deal to someone.

During the Disc Wars, Jarvis gives a C.L.U. an update that includes the status of his “private initiative”, which would be the plan to take an army through the portal.  But…Jarvis doesn’t actually know that’s what the plan is!(?).  As a matter of fact, I don’t think ANYONE knew what the plan was except for C.L.U.!  Maybe Tron knew, but he wasn’t exactly a chatterbox.  C.L.U. just had his people round out ordinary programs and ship them off to be reprogrammed to be in C.L.U.’s invasion army.

The army is being assembled and rallied at a base somewhere out in the direction of the portal.  The ship is being loaded and they are acting as though they are definitely going to go through the portal at a scheduled time.  But they don’t have Flynn’s disc.  They don’t have the key to get out and know one even notices the door is open.

So C.L.U. doesn’t have what he needs to make his plan work and when he finally knows Sam is on the grid, his first instinct is to try to kill him???  To show the programs that the “tyranny of the user” will never return???  How does that help him get Flynn’s identity disc?  Flynn doesn’t know his son is there either.  Quorra rescues him from the grid, but it isn’t until sometime later that he’s reunited with his father.

And what about ol’ Kevin Flynn during all of this?  We see him meditating, facing a window that looks out in the direction of the Grid.  In the distance, the portal hangs in the sky…and we don’t get the impression he’s noticed it either!!!

Whiskey.  Tango.  Foxtrot

I would expect Kevin fricken Flynn, of ALL people on the grid would notice the portal! Even if he knows it’s probably a trap set by C.L.U., it’s still the first time in it’s been in the sky for 20 years.  Is he anxious?  Excited?  No.  He’s just kinda “meh”.

I could go on and on about the failures of the plot, but I think you’re getting the idea.  The movie had a plot and all of the characters ignored it.  Except for Sam.  He’s the only one that had the right idea. As soon as he heard about the portal, he had a one track mind about getting the hell out of the Grid.

As I said, I wanted to like this movie and if really force myself to engage my suspension of disbelief, I can still enjoy it.  To me, that final confrontation between Flynn and C.L.U. is a classic movie moment.  The elements of the story they were trying to tell came together in an intense, satisfying way, and the Daft Punk score gives it just the right emotional weight and the result makes the hair on the back of your neck stand up.  I feel like it’s that good.

For me, personally, the antagonist is usually what gets me invested in a story.  Unfortunately, C.L.U.’s constant mis-handling if his master plan just made him (and his plan) and great big joke to me.

Tron and Tron: Legacy have given me a story series idea that I really like and will try (again) to write this year.  But I know we aren’t likely to get a sequel in the foreseeable future, and I understand why.

Do you agree?  Disagree?  Comment below.

 

The Disappointment of: The U.S.S. Excelsior

Oh boy.  This one is might hurt some feelings, but if there is any one thing that is the epitome of this series, The Excelsior would be it.  It probably got the least amount of screen time than anything else I’ll talk about in this blog post series, but that brief time was significant.  A possible changing of the guard was implied when the old Constitution class Enterprise limped into space dock, battle-scarred and haggard.  To add insult to injury, the heir-apparent to the Starfleet throne waits in the wings.  You could almost pick up on the new starship smell, even in the vacuum of space dock.

A sad end to an icon is foreshadowed.

er-spacedock-st3

The first sight of the Excelsior is held in reverence by most of the bridge crew.  Sulu might of even got turned on when mentioning the trans-warp drive.  Even James T. Kirk was given pause, almost as if to be thinking:  “What if…What if…”

You just knew that these two were meant to tangle before the film’s run time was up and it was going to be EPIC, right?

.If that wasn’t enough, Starfleet made the decision to decommission the Enterprise and reassign her crew before it was even moored back at space dock.  Despite Kirk’s best efforts to convince Fleet Admiral Morrow that the ship still has life left in her, the admiral states “The Enterprise is twenty-years old.  We feel her time is done.” (Or something close to that, anyway.)

***Just for clarification, because I know trekkers will probably call me out on it.  The “Twenty-year old” Enterprise is a continuity error, to the best of my knowledge.  If one wants to be technical, twenty years prior was when Kirk took command for his five year mission according to the timeline I’ve seen.  Christopher Pike and Robert King both commanded the ship for five year missions – each.  But I digress***

To keep in line with his career history of disobeying orders as it suited him, Admiral Kirk and the gang hatch a perfectly executed plan to steal the ship and go back to Genesis.  I say ‘perfectly executed’ because so far as I can tell, the were able to plan and prep this plan to not only steal the ship, but bust Bones out of the Starfleet brig, in about seventeen minutes, it seemed.

But he’s James T. Kirk, and that’s how he rolls.

Lucky for them, Kirk had foreshadowed the need for the ship to be fully automated and had Scotty get to work on that project while they were still on their way back from Genesis.

Fast forward to the getaway.

After brief, inspiring exchange between Kirk and the getaway gang, they power up the Enterprise and make a break for the Space Dock doors.  This, of course, makes Docking Control collectively crap itself and the call a red alert.

huh…always on the move, I guess.

 

Captain Styles gets the call from the Excelsior bridge.

First, we already know this guy is a pompous ass after his brief exchange with Scotty as he was leaving the ship.  “I’m looking forward to breaking some of the Enterprise speed records.”  He carried a swaggar stick, for crying out loud.  Then he had the audacity to question the yellow alert.  “How can we have a yellow alert in space dock?”  He says, passively while buffing his fricken finger nails.

He’s told what’s going on and then he takes action…while still carrying the swaggar stick (geesh).

Here’s where the tension really starts to build.

On the Enterprise (which is making the slowest starship escape on record, IMO), Chekov intercepts communications and announces to all the very last thing they wanted to hear:  “Sir, Excelsior powering up with orders to pursue.”

boy-that-escalated-quickly-anchorman-520x245

 

After struggling to override the space dock doors, the Enterprise makes it to open space with the Excelsior is hot pursuit (well, its the slowest pursuit for the lowest getaway.)

Captain Styles, ever the confident starship captain, lets us know the best chance for the Enterprise to escape isn’t good enough compared to the shiny new Excelsior by reminding us that if “If he tries to get away with warp drive, he’s really in for a shock.”

Queue the requisite threat from the Captain of the shiny new ship to the Admiral on the decades old rust bucket:  “Kirk. You do this, you’ll never sit in the captain’s chair again.”

Without out a second thought, Kirk gives the order for warp speed and the Enterprise is off and gives the Excelsior the proverbial finger in its subspace wake.

Oh hell no, he didn’t!  It’s on like Donkey Kong now, right?   Captain Styles is through pussy-footin’ around.  Time to show the galaxy that there’s a new sheriff in town and her name is:  Excelsior.

“Prepare for warp speed.  Stand by transwarp drive.”

The music score ramps up the tension even further with heavy percussion.  This has to be bad ass because the bridge crew has to secure themselves in their stations, right?

A very young Miguel Ferrer, at the helm, announces the transwarp drive is his command.

It’s time!  This is the confrontation we’ve been waiting for up to this point.  Time to show us what thirty years of technological advancement in starship design has come up with.  The Enterprise, as great as she was, stands NO chance!  Hell, we even heard the Enterprise was going to be destroyed before the movie even came out.  THIS HAS TO BE IT!

With a look of steely determination, Styles issues the command:  Execute.

We hear the heavy rumble of state of the art trans warp drive rising up to what is sure to be an earth shattering crescendo.  Then…

*Faulter…cough…fizzle…sputter*

It’s an FTL failure the likes of which we hadn’t seen since the Millennium Falcon in The Empire Strikes Back.

The new pride of starfleet falters like Tim Couch did for the Cleveland Browns.  So sad.

And all it took stop the biggest, baddest, starship ever built was Scotty pulling some fuses or chips or something out of the Trans warp computer drive.  That’s it.  No epic computer hack.  Nothing fancy.  My four-year old grandson could have done it.

Then the Excelsior disappears until the last two minutes of Star Trek IV, and we don’t see it again until Star Trek VI.  In which, it (again) faltered and was left adrift in space dock.

I’m serious, the incident with the Enterprise was such an overpowering embarrassment, this ship sat in space dock for two MORE years (according to the memory-alpha site) until Star Trek IV, then had to undergo a major refit before being put into service after another year or two.

They tried to redeem it, in Star Trek VI, by giving Sulu his command of his starship-crush, but by that time it was too late.

Goodbye, Excelsior.  Your disappointment won’t be missed.

Thanks for sticking around to finish this long post.  If you like what you’ve seen here, please give me a follow.

Till next time…

 

 

Music Quiets The Demons

Like most writers, I shut the world out by listening to music while I write.  It works best using a good set of earphones that’ll shut EVERYTHING out around me.  My goal is to get a set of Bose Noise Cancelling headphones sometime.  That ought to quiet the demons, around me, completely.

As for the type of music, I go for an epic score or epic music collection.  If I have a clear enough vision of the type of scene I’ll be writing that day, I’ll grab a score that is reflective of the tone of that scene.  For example, I wrote the scene in which Carson Lyle, Kagan, Dex and Varga stole Carson’s ship back from Authority Impound and escaped from El Dorado while listening to tracks 1-3 of the Star Trek: Into Darkness score.

In general, any good collection of music from AudioMachine, Two Steps From Hell, or anything similar will do.  There are endless compilations and mixes to pick from on Youtube.  but if I’m in the mood for something a little more random, I have a channel for such things on Pandora.

My current favorite collection to listen to while writing is below.  It’s a fantastic mix using a lot more obscure pieces and has a great Epic Action, Adventure feel to it.  Hence, the title.

 

The Disappointment of Azkaban

So, we were watching one of the Harry Potter film marathons recently and it got me to thinking about something:  Azkaban Prison.

In the movies, when Azkaban is mentioned, characters get wide-eyed and scared at the thought of having to go there.  You get the sense that it is something to be feared in their world and you’re meant be fearful of it, as well.  It’s a BAAAAAAAAAAAAAAAAD place.  If you get sent there, you’re not coming back.  A foul pit of hell, that place is, right?  NO ONE ever escapes.

Then we get THE PRISONER OF AZKABAN.

Someone escaped the inescapable prison and he’s a BAAAAAD man out to get Harry.  I get it.  That was a big deal.  So in light of that escape, Azkaban was going to tighten up.  No one’s getting out ever again, right?

…Until Barty Crouch Jr. escaped.

Wait…this wizarding prison, that has “No escapes in 300 years” on its brochures, loses another prisoner within a year or two of the last one.  And this time, no one knew about it.  Then there’s the mass breakout that let loose a bunch of death eaters.

Anyway, the point is Azkaban didn’t live up to the hype.  Prisoners came and went as they pleased.  It was almost a casual affair.  And it had to be “casual” because when they finally did discover Barty Crouch Jr., Dumbledore’s almost “casual” comment was something like:  “Sent an owl to Azkaban, I think they’ll find they’re missing a prisoner.”  It came across like it wasn’t something that was out of the ordinary.  It’s okay, just another Azkaban escapee in the house.

If I was sent to Azkaban, I might feel pretty good about my chances of escaping, IN SPITE of the Dementors.  Since they feed on things like depression, I’m sure they could easily be bought off by telling them where to find a bunch of emo kids.  This fear of Azkaban was just smoke and mirrors propaganda from the Ministry of Magic.

Do you have any movie set piece disappoints? Anything that was built up to be fear and revered by the characters of a movie, only to have it let you down?

Let me know in a comment below.


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